S mukom žvaču trubadurov vrat
by Trobecove Krušne Peći
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Digital Album
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Limited edition LP + 2 CD
Record/Vinyl + Digital AlbumBlack or blue vinyl packed in rich gatefold cover, includes 2 CDs with all official releases, demo recordings, audio and video concert footage.
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Skriveni maglom
02:16
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2. |
Imam dovoljno te vlage
03:24
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3. |
Zvijezda
02:26
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4. |
Boje noć u krv
03:37
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5. |
Grad i svjetla
02:38
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6. |
Aualida
03:12
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7. |
Armija
02:13
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8. |
Mi smo zalutali
03:21
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9. |
Teško je reći (Đuro)
02:24
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10. |
Avet Gašpar
00:50
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11. |
Ples
02:21
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12. |
Skrivač u magli
03:08
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13. |
Imam dovoljno te vlage
03:43
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14. |
Priča o svemiru
04:53
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15. |
Nikad robom
03:57
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16. |
Lutka
04:50
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17. |
Zvijezda
03:33
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18. |
Ples
03:39
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19. |
Armija
04:01
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20. |
Teško je reći (Đuro)
02:20
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21. |
Pod nadzorom
02:15
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22. |
Skrivač u magli
03:33
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23. |
Ples
02:36
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24. |
Pravi poklon za svakog
03:30
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25. |
Skrivač u magli
03:21
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26. |
Ustajem u tami
03:31
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27. |
Pojedinac
03:02
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28. |
Franjo
03:05
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29. |
Sirena
04:50
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30. |
Pali mi se sjeme
03:31
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31. |
Kauboj ili Kozak
03:24
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32. |
Krov
05:53
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33. |
Ples
04:52
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34. |
Ustajem u tami
03:22
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about
Potlista.com --> goo.gl/VjwRF
Dok je smrtno bolesna SFRJ čekala svoj posljednji bolni grč, TV i radio prijemnicima su, kao i uvijek, vladali oni optimističniji i sunčaniji oblici umjetnosti, u narodu poznatiji kao zabava. Unatoč sve liberalnijoj uređivačkoj politici u medijima (na kojoj nam je zavidio čitav “istok”), za ozbiljne teme je bilo onoliko mjesta koliko bi ih “bitni” ljudi shvaćali kao bezazlene šale ili nerazumljive apstrakcije studenata pod utjecajem raznih opijata.
Vodeći diskografi su možda imali moć odluke koja će nam se domaća i strana lica smješkati s omota ploča u robnim kućama, ali nisu mogli začepiti dragocjeno krijumčarenje albuma The Pop Group, Birthday Party i sličnih preko Trsta i ostalih puteva, pa tako ni maštu glazbenika pod utjecajem nezaustavljive buke s polica Rough Trade dućana.
Kod rock and roll glazbe (u širem smislu) ponekad neće provocirati samo ispjevane riječi, nego i ono što se ispod njih nalazi, a u slučaju unikatnog zagrebačkog post punk benda Trobecove krušne peći ispod već dovoljno drskih urlika gospodina Begića živce je štipao i kontrolirani bučno-plesni kaos u usporedbi s kojim je Jugotonov otisak ploče “Solid Gold” grupe Gang of Four skoro pa lagani, intelektualni funk rock.
Trobecove Krušne Peći, nazvani po najpoznatijem slovenskom serijskom ubojici, bili su uz Sexu jedan od najboljih hrvatskih alternativnih bendova, ali istovremeno i jedna od najbolje čuvanih tajni hrvatske rock glazbe, prije svega zbog nemogućnosti izdavanja albuma. Trobeci su svirali avangardan rastrzani noise funk specifične crnohumorne poetike, lako usporediv s aktualnim svjetskim glazbenim zbivanjima, a njihovi se intenzivni nastupi, često na tankoj liniji između performansa i ekscesa, i danas prepričavaju.
Da bi Trobecove Krušne Peći dobile zasluženi nosač zvuka inicijativu pokreću entuzijasti Kornel Šeper (Kekere Aquarium), Igor Mihovilović (Guranje s litice) i Igor Banjanin (Dirty Old Label), te u suradnji sa skupinom anonimnih fanova i nezavisnih izdavača (Bučni stripovi, Dare The Divine, DHPAK47, Doomtown Records, Front Rock - Subkulturni azil, Geenger Records, Hello Bing, Humanita Nova, Karma Music Shop, Ne Records, Okata piramida Records, Slušaj najglasnije! i Timjku bžju! Records) daju ovom bendu ono što mu ni tadašnji mediji ne bi mogli dati: legendarni album “85”, izgubljeni dragulj hrvatske glazbe i jedan od najboljih ex Yu albuma uopće u produkciji Boruta Činča iz Buldožera na visokokvalitetnom 180 gramskom vinilu (u dvije kolor varijante). Pored toga, u luksuznom gatefold pakiranju, za čiji izgled se pobrinuo neumorni Kujundžić/Vranić duo, nalaze se i 2 CD-a sa svim ostalim dostupnim snimkama (demo snimke, audio i video koncertni zapisi) nastalim za vrijeme trajanja benda (1981. – 1987.).
Napokon dostupne Trobecove Krušne Peći grizu, udaraju i ruše ostale ploče s polica svakog boljeg dućana izniklih na ruševinama robnih kuća, dok bend obnovljen u originalnoj postavi kreće u pohod po klubovima.
For any songs that we uncover in the future go to: trobecovekrusnepeci.bandcamp.com.
Dok je smrtno bolesna SFRJ čekala svoj posljednji bolni grč, TV i radio prijemnicima su, kao i uvijek, vladali oni optimističniji i sunčaniji oblici umjetnosti, u narodu poznatiji kao zabava. Unatoč sve liberalnijoj uređivačkoj politici u medijima (na kojoj nam je zavidio čitav “istok”), za ozbiljne teme je bilo onoliko mjesta koliko bi ih “bitni” ljudi shvaćali kao bezazlene šale ili nerazumljive apstrakcije studenata pod utjecajem raznih opijata.
Vodeći diskografi su možda imali moć odluke koja će nam se domaća i strana lica smješkati s omota ploča u robnim kućama, ali nisu mogli začepiti dragocjeno krijumčarenje albuma The Pop Group, Birthday Party i sličnih preko Trsta i ostalih puteva, pa tako ni maštu glazbenika pod utjecajem nezaustavljive buke s polica Rough Trade dućana.
Kod rock and roll glazbe (u širem smislu) ponekad neće provocirati samo ispjevane riječi, nego i ono što se ispod njih nalazi, a u slučaju unikatnog zagrebačkog post punk benda Trobecove krušne peći ispod već dovoljno drskih urlika gospodina Begića živce je štipao i kontrolirani bučno-plesni kaos u usporedbi s kojim je Jugotonov otisak ploče “Solid Gold” grupe Gang of Four skoro pa lagani, intelektualni funk rock.
Trobecove Krušne Peći, nazvani po najpoznatijem slovenskom serijskom ubojici, bili su uz Sexu jedan od najboljih hrvatskih alternativnih bendova, ali istovremeno i jedna od najbolje čuvanih tajni hrvatske rock glazbe, prije svega zbog nemogućnosti izdavanja albuma. Trobeci su svirali avangardan rastrzani noise funk specifične crnohumorne poetike, lako usporediv s aktualnim svjetskim glazbenim zbivanjima, a njihovi se intenzivni nastupi, često na tankoj liniji između performansa i ekscesa, i danas prepričavaju.
Da bi Trobecove Krušne Peći dobile zasluženi nosač zvuka inicijativu pokreću entuzijasti Kornel Šeper (Kekere Aquarium), Igor Mihovilović (Guranje s litice) i Igor Banjanin (Dirty Old Label), te u suradnji sa skupinom anonimnih fanova i nezavisnih izdavača (Bučni stripovi, Dare The Divine, DHPAK47, Doomtown Records, Front Rock - Subkulturni azil, Geenger Records, Hello Bing, Humanita Nova, Karma Music Shop, Ne Records, Okata piramida Records, Slušaj najglasnije! i Timjku bžju! Records) daju ovom bendu ono što mu ni tadašnji mediji ne bi mogli dati: legendarni album “85”, izgubljeni dragulj hrvatske glazbe i jedan od najboljih ex Yu albuma uopće u produkciji Boruta Činča iz Buldožera na visokokvalitetnom 180 gramskom vinilu (u dvije kolor varijante). Pored toga, u luksuznom gatefold pakiranju, za čiji izgled se pobrinuo neumorni Kujundžić/Vranić duo, nalaze se i 2 CD-a sa svim ostalim dostupnim snimkama (demo snimke, audio i video koncertni zapisi) nastalim za vrijeme trajanja benda (1981. – 1987.).
Napokon dostupne Trobecove Krušne Peći grizu, udaraju i ruše ostale ploče s polica svakog boljeg dućana izniklih na ruševinama robnih kuća, dok bend obnovljen u originalnoj postavi kreće u pohod po klubovima.
For any songs that we uncover in the future go to: trobecovekrusnepeci.bandcamp.com.
credits
released May 25, 2013
GNGR022
1 - 12: album "85", Ljubljana, 9.-16.4.1985.
13 - 20: live, Muzički Biennale, Zagreb, 22.4.1983.
21 - 24: demo, Karlovac, 1984.
25 - 33: live album "Ta krvava prošlost", Koper, 15.5.1987.
34: rehearsal, Zagreb, 1986.
VIDEO: 1: live, Zagreb, 15.10.1982.; 2 - 10: live, Ljubljana, 14.4.1985.
Darko Begić Bega: vocals, doll (16), guitar (27, 28, 30, 32), clarinet (video: 4), diabolic bin (video: 9); Mario Barišin Bara: bass, vocals (11, 18, 23, video: 2, 3, 6); Ivica Vinski: guitar (1-12, 21-34, video: 2-10), vocals (1, 6, 12, 29, video: 2, 3, 6); Gordan Dorvak: drums (1-24, video: 2-10); Damir Prica Capri: sax (4, 7, 12, 22, video: 6, 8, 9), piano (6), flusher (video: 3, 4, 5, 7, 10); Damir Kolarec: guitar (13-20, video: 1), vocals (15), organ (18, video: 1); Ratko Danilović Racak: drums (25-33, video: 1), vocals (29); Saša Last: organ Tigar (13-17, 19, 20).
Music by Trobecove Krušne Peći, except Mario Barišin Bara (11, 12, 16, 18, 22, 23, 25, 33), Darko Kordovan/Sexa (5). Lyrics by Darko Begić Bega, Mario Barišin Bara, except Ivica Vinski (6), Darko Kordovan (5, 28). Recorded by Borut Činč (1-12), Nenad Zubak (13-20), Zoran Ljubišić (21-24), Igor Kos (25-33), Trobecove Krušne Peći (34), Šime Strikoman (video: 1), Arhiv Forum Ljubljana (video: 2-10). Produced by Trobecove Krušne Peći, Borut Činč (1-12), Trobecove Krušne Peći, Zoran Ljubišić (21-24), Igor Kos (25-33).
Locations and time of recordings: Borut Činč Studio, Ljubljana, 9.-16.4.1985. (1-12); Workers' University Moša Pijade, Zagreb, 22.4.1983. (13-20); basement of Hrvatski dom, Karlovac, 1984. (21-24); MKC, Koper, 15.5.1987. (25-33); band rehearsal room - SC Gallery, Zagreb, 1986. (34); Student centre, Zagreb, 15.10.1982. (video: 1); K4, Ljubljana, 14.4.1985. (video: 2-10).
Album "Ta krvava prošlost" was first released on the Slovenija label (K014/1987), and the album "85" on Kekere Aquarium (KA001/1992).
Front cover photo: Šime Strikoman. Document photography by Petra Matijević, Nikola Predović, Stanislav Božanić. All other photos: band's archive. Designed by Tomislav Vranić and Darko Kujundžić. Translated in english by Matea Munitić Mihovilović. Proofreading: Nataša Družijanić, Jonathan Bousfield. Compiled by Trobecove Krušne Peći, Igor Mihovilović & Kornel Šeper (2011.-2012.). Liner notes by Aleksandar Dragaš, Kornel Šeper, Darko Kordovan.
The job of finding the master tapes was undertaken superbly by these
noble men: Darko Begić, Mario Barišin, Mihael Bele, Daniel Šuljić, Oleg Mandić, Boris Furlan, Denis Čulinović, Stanislav Božanić, Krešimir Kolar and Igor Mirković.
Tracks 1 to 12 transferred from half-inch master tape by Hrvoje Nikšić at Kramasonik, Zagreb, 2011. Tracks 13 to 20 transferred from master cassette tape by Darko Begić, Mario Barišin and Branimir Tomljenović - Muha at Deep Forest, Zagreb, 2011. Tracks 21 to 24 transferred from master cassette tape by Igor Mihovilović and Hrvoje Pelicarić at GSL, Split, 2011. Tracks 25 to 33 transferred from half-inch master tape by Hrvoje Nikšić at Kramasonik, Zagreb, 2011. Track 34 transferred from master cassette tape by Igor Mihovilović at GSL, Split, 2011. Video material (1) transferred from Beta cassette by Krešimir Kolar, Zagreb, 2005. Video material (2-10) transferred from VHS cassette and edited by Igor Mihovilović at GSL, Split, 2012.
Tracks 1 to 12 mastered by Hrvoje Pelicarić at 19th Studio, Split, 2012. Tracks 13 to 33 mastered by Branimir Tomljenović - Muha at Deep Forest, Zagreb, 2011. Track 34 and audio tracks from video mastered by Mihael Bele at Deus Ex Machina, Zagreb, 2012. Encoding and editing: Viktor Krasnić (video: 1-10).
This release was made possible by record labels: Dare the Divine, Bučni stripovi, DHPAK47 Records, Dirty Old Label, Doomtown Records, Front Rock - Subkulturni azil, Geenger Records, Guranje s litice, Hello Bing, Humanita Nova, Karma Music Shop, Kekere Aquarium, Ne! Records, Okata piramida Records, Slušaj najglasnije!, Timjku bžju! Records; individuals: Bobo Markulinčić, Coco Mosquito, Darko Mikulec, Davor Žohar, Ivan Krželj, Ivan Marušić Klif, Jadranko Tolić, Jandre Matan, Mario Kovač, Marko Pogačar, Minja Dundjerski, Mirko Stoilkov, Predrag Delibašić, Slaven Toplak, Slobodan Žakula, Sven Pavlović, Višeslav Laboš, Vjeran Pavlinić, Vlatko Pletz and Trobecove Krušne Peći.
GNGR022
1 - 12: album "85", Ljubljana, 9.-16.4.1985.
13 - 20: live, Muzički Biennale, Zagreb, 22.4.1983.
21 - 24: demo, Karlovac, 1984.
25 - 33: live album "Ta krvava prošlost", Koper, 15.5.1987.
34: rehearsal, Zagreb, 1986.
VIDEO: 1: live, Zagreb, 15.10.1982.; 2 - 10: live, Ljubljana, 14.4.1985.
Darko Begić Bega: vocals, doll (16), guitar (27, 28, 30, 32), clarinet (video: 4), diabolic bin (video: 9); Mario Barišin Bara: bass, vocals (11, 18, 23, video: 2, 3, 6); Ivica Vinski: guitar (1-12, 21-34, video: 2-10), vocals (1, 6, 12, 29, video: 2, 3, 6); Gordan Dorvak: drums (1-24, video: 2-10); Damir Prica Capri: sax (4, 7, 12, 22, video: 6, 8, 9), piano (6), flusher (video: 3, 4, 5, 7, 10); Damir Kolarec: guitar (13-20, video: 1), vocals (15), organ (18, video: 1); Ratko Danilović Racak: drums (25-33, video: 1), vocals (29); Saša Last: organ Tigar (13-17, 19, 20).
Music by Trobecove Krušne Peći, except Mario Barišin Bara (11, 12, 16, 18, 22, 23, 25, 33), Darko Kordovan/Sexa (5). Lyrics by Darko Begić Bega, Mario Barišin Bara, except Ivica Vinski (6), Darko Kordovan (5, 28). Recorded by Borut Činč (1-12), Nenad Zubak (13-20), Zoran Ljubišić (21-24), Igor Kos (25-33), Trobecove Krušne Peći (34), Šime Strikoman (video: 1), Arhiv Forum Ljubljana (video: 2-10). Produced by Trobecove Krušne Peći, Borut Činč (1-12), Trobecove Krušne Peći, Zoran Ljubišić (21-24), Igor Kos (25-33).
Locations and time of recordings: Borut Činč Studio, Ljubljana, 9.-16.4.1985. (1-12); Workers' University Moša Pijade, Zagreb, 22.4.1983. (13-20); basement of Hrvatski dom, Karlovac, 1984. (21-24); MKC, Koper, 15.5.1987. (25-33); band rehearsal room - SC Gallery, Zagreb, 1986. (34); Student centre, Zagreb, 15.10.1982. (video: 1); K4, Ljubljana, 14.4.1985. (video: 2-10).
Album "Ta krvava prošlost" was first released on the Slovenija label (K014/1987), and the album "85" on Kekere Aquarium (KA001/1992).
Front cover photo: Šime Strikoman. Document photography by Petra Matijević, Nikola Predović, Stanislav Božanić. All other photos: band's archive. Designed by Tomislav Vranić and Darko Kujundžić. Translated in english by Matea Munitić Mihovilović. Proofreading: Nataša Družijanić, Jonathan Bousfield. Compiled by Trobecove Krušne Peći, Igor Mihovilović & Kornel Šeper (2011.-2012.). Liner notes by Aleksandar Dragaš, Kornel Šeper, Darko Kordovan.
The job of finding the master tapes was undertaken superbly by these
noble men: Darko Begić, Mario Barišin, Mihael Bele, Daniel Šuljić, Oleg Mandić, Boris Furlan, Denis Čulinović, Stanislav Božanić, Krešimir Kolar and Igor Mirković.
Tracks 1 to 12 transferred from half-inch master tape by Hrvoje Nikšić at Kramasonik, Zagreb, 2011. Tracks 13 to 20 transferred from master cassette tape by Darko Begić, Mario Barišin and Branimir Tomljenović - Muha at Deep Forest, Zagreb, 2011. Tracks 21 to 24 transferred from master cassette tape by Igor Mihovilović and Hrvoje Pelicarić at GSL, Split, 2011. Tracks 25 to 33 transferred from half-inch master tape by Hrvoje Nikšić at Kramasonik, Zagreb, 2011. Track 34 transferred from master cassette tape by Igor Mihovilović at GSL, Split, 2011. Video material (1) transferred from Beta cassette by Krešimir Kolar, Zagreb, 2005. Video material (2-10) transferred from VHS cassette and edited by Igor Mihovilović at GSL, Split, 2012.
Tracks 1 to 12 mastered by Hrvoje Pelicarić at 19th Studio, Split, 2012. Tracks 13 to 33 mastered by Branimir Tomljenović - Muha at Deep Forest, Zagreb, 2011. Track 34 and audio tracks from video mastered by Mihael Bele at Deus Ex Machina, Zagreb, 2012. Encoding and editing: Viktor Krasnić (video: 1-10).
This release was made possible by record labels: Dare the Divine, Bučni stripovi, DHPAK47 Records, Dirty Old Label, Doomtown Records, Front Rock - Subkulturni azil, Geenger Records, Guranje s litice, Hello Bing, Humanita Nova, Karma Music Shop, Kekere Aquarium, Ne! Records, Okata piramida Records, Slušaj najglasnije!, Timjku bžju! Records; individuals: Bobo Markulinčić, Coco Mosquito, Darko Mikulec, Davor Žohar, Ivan Krželj, Ivan Marušić Klif, Jadranko Tolić, Jandre Matan, Mario Kovač, Marko Pogačar, Minja Dundjerski, Mirko Stoilkov, Predrag Delibašić, Slaven Toplak, Slobodan Žakula, Sven Pavlović, Višeslav Laboš, Vjeran Pavlinić, Vlatko Pletz and Trobecove Krušne Peći.
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Awesome new music from the Vukojebina!
Established in 2010.
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